“Ophelia (Talley Beth Gale) in her compelling, heart-breaking mad scene…jumps on the Queen’s bed to distribute not flowers, as she names them, but twigs from a stark corona she wears. A poignant and shattering moment.” — Times of San Diego

“Gale’s is a portrait painted with delicate strokes and shading. Her palette holds the colors of innocence, confidence, self-denigration, self-protection, compassion, self-justification, sharp wit, genius…”–Berkshire Eagle (of Proof)

“delightfully funny with [her] bodily movement and comic timing.” — The Philadelphia Inquirer (of Private Lives)